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dc.contributor.authorRoddy, Stephen
dc.date.accessioned2022-02-09T10:25:19Z
dc.date.available2022-02-09T10:25:19Z
dc.date.createdJune 10then
dc.date.issued2016
dc.date.submitted2016en
dc.identifier.citationRoddy, Stephen & Bridges, Brian, Sounding Human with Data: The Role of Embodied Conceptual Metaphors and Aesthetics in Representing and Exploring Data Sets, the Proceedings of the Music Technology Workshop 2016, Music Technology Workshop, Michael Smurfit Business School, University College Dublin, June 10th, 2016, 64 - 76en
dc.identifier.otherY
dc.identifier.urihttp://hdl.handle.net/2262/98068
dc.description.abstractAuditory display is the use of sound to present information to a listener. Sonification is a particular type of auditory display technique in which data is mapped to non-speech sound to communicate information about its source to a listener. Sonification generally aims to leverage the temporal and frequency resolution of the human ear and is a useful technique for representing data that cannot be represented by visual means alone. Taking this perspective as our point of departure, we believe that sonification may benefit from being informed by aesthetic explorations and academic developments within the wider fields of music technology, electronic music and sonic arts. In this paper, we will seek to explore areas of common ground between sonification and electronic music/sonic arts using unifying frameworks derived from musical aesthetics and embodied cognitive science (Kendall, 2014; Lakoff & Johnson, 1999).en
dc.format.extent64en
dc.format.extent76en
dc.language.isoenen
dc.rightsYen
dc.subjectSonificiationen
dc.subjectEmbodied cognitionen
dc.subjectAestheticsen
dc.subjectAuditory displayen
dc.subjectMusic compositionen
dc.titleSounding Human with Data: The Role of Embodied Conceptual Metaphors and Aesthetics in Representing and Exploring Data Setsen
dc.title.alternativethe Proceedings of the Music Technology Workshop 2016en
dc.title.alternativeMusic Technology Workshopen
dc.typeConference Paperen
dc.contributor.sponsorScience Foundation Ireland (SFI)en
dc.contributor.sponsorIrish Research Council (IRC)en
dc.type.supercollectionscholarly_publicationsen
dc.type.supercollectionrefereed_publicationsen
dc.identifier.peoplefinderurlhttp://people.tcd.ie/stroddy
dc.identifier.rssinternalid237947
dc.rights.ecaccessrightsopenAccess
dc.contributor.sponsorGrantNumber13/RC/2077en
dc.subject.TCDThemeCreative Arts Practiceen
dc.subject.TCDThemeCreative Technologiesen
dc.subject.TCDThemeDigital Engagementen
dc.subject.TCDThemeDigital Humanitiesen
dc.subject.TCDThemeSmart & Sustainable Planeten
dc.subject.TCDThemeTelecommunicationsen
dc.subject.TCDTagAuditory Cognitionen
dc.subject.TCDTagAuditory Displayen
dc.subject.TCDTagCOGNITIONen
dc.subject.TCDTagComputer Interfaceen
dc.subject.TCDTagHuman-Computer Interactionen
dc.subject.TCDTagMUSICen
dc.subject.TCDTagSOUNDen
dc.subject.TCDTagSonificationen
dc.subject.TCDTagSound Engineeringen
dc.identifier.rssurihttps://www.semanticscholar.org/paper/Sounding-Human-with-Data%3A-The-Role-of-Embodied-and-Roddy-Bridges/e3408f2cafc21e6938010fce4ff8759b8c3b3d27
dc.identifier.orcid_id0000-0001-8491-3031
dc.subject.darat_thematicCommunityen
dc.subject.darat_thematicCultureen
dc.subject.darat_thematicHistoryen
dc.status.accessibleNen


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