Sounding Human with Data: The Role of Embodied Conceptual Metaphors and Aesthetics in Representing and Exploring Data Sets
Citation:
Roddy, Stephen & Bridges, Brian, Sounding Human with Data: The Role of Embodied Conceptual Metaphors and Aesthetics in Representing and Exploring Data Sets, the Proceedings of the Music Technology Workshop 2016, Music Technology Workshop, Michael Smurfit Business School, University College Dublin, June 10th, 2016, 64 - 76Download Item:

Abstract:
Auditory display is the use of sound to present information to a listener. Sonification is a particular type of auditory display technique in which data is mapped to non-speech sound to communicate information about its source to a listener. Sonification generally aims to leverage the temporal and frequency resolution of the human ear and is a useful technique for representing data that cannot be represented by visual means alone. Taking this perspective as our point of departure, we believe that sonification may benefit from being informed by aesthetic explorations and academic developments within the wider fields of music technology, electronic music and sonic arts. In this paper, we will seek to explore areas of common ground between sonification and electronic music/sonic arts using unifying frameworks derived from musical aesthetics and embodied cognitive science (Kendall, 2014; Lakoff & Johnson, 1999).
Sponsor
Grant Number
Science Foundation Ireland (SFI)
13/RC/2077
Irish Research Council (IRC)
Author's Homepage:
http://people.tcd.ie/stroddy
Author: Roddy, Stephen
Other Titles:
the Proceedings of the Music Technology Workshop 2016Music Technology Workshop
Type of material:
Conference PaperAvailability:
Full text availableSubject (TCD):
Creative Arts Practice , Creative Technologies , Digital Engagement , Digital Humanities , Smart & Sustainable Planet , Telecommunications , Auditory Cognition , Auditory Display , COGNITION , Computer Interface , Human-Computer Interaction , MUSIC , SOUND , Sonification , Sound EngineeringLicences: