Show simple item record

dc.contributor.advisorDoherty, Justin
dc.contributor.authorLooby, Robert
dc.date.accessioned2019-07-25T14:06:37Z
dc.date.available2019-07-25T14:06:37Z
dc.date.issued2002
dc.identifier.citationRobert Looby, 'Formalism and parody in Bruno Schulz', [thesis], Trinity College (Dublin, Ireland). Department of Russian & Slavonic Studies, 2002, pp 246
dc.identifier.otherTHESIS 6840
dc.identifier.urihttp://hdl.handle.net/2262/88930
dc.description.abstractThis thesis presents a systematic formal analysis of Bruno Schulz's prose fiction. It applies the methods of study developed by Formalists to aspects of the text ranging from minimal units such as choice of vocabulary to larger considerations such as the overall use and effect of metaphor. Its main finding is that Schulz's work may be read as a parody of Formalist thinking on the nature of literature. It also parodies Stanislaw Ignacy Witkiewicz's theory of Pure Form, which is similar to Formalism in several important respects. The parody is achieved by putting the opinions of Formalists into the mouth of a madman, and then presenting the reader with the results of putting Formalist precepts into action.
dc.format1 volume
dc.language.isoen
dc.publisherTrinity College (Dublin, Ireland). Department of Russian & Slavonic Studies
dc.relation.isversionofhttp://stella.catalogue.tcd.ie/iii/encore/record/C__Rb12432925
dc.subjectRussian and Slavonic Studies, Ph.D.
dc.subjectPh.D. Trinity College Dublin
dc.titleFormalism and parody in Bruno Schulz
dc.typethesis
dc.type.supercollectionthesis_dissertations
dc.type.supercollectionrefereed_publications
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (Ph.D.)
dc.rights.ecaccessrightsopenAccess
dc.format.extentpaginationpp 246
dc.description.noteTARA (Trinity's Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record