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  • Seek : composition portfolio and commentaries 

    Buckley, Linda (Trinity College (Dublin, Ireland). Department of Music, 2010)
    This thesis serves as an accompanying commentary for a portfolio of ten musical compositions composed between 2005 and 2009. The works presented incorporate a broad range of forces and performance contexts, from live ...
  • Toward perpetual peace 

    Béjar, Nélida (Trinity College (Dublin, Ireland). Department of Music, 2012)
    This is a thesis for the degree of Doctor of Philosophy in music composition. In the opening part (A), 1 comment on my musical background, environment and influences, including a shorter comment on the orchestra piece ...
  • Beyond the 'Gothic' : Havergal Brian and his orchestral music of the 1930s 

    O'Leary, Martin (Trinity College (Dublin, Ireland). Department of Music, 2004)
    This thesis presents the most detailed study yet of the music of the English composer William Havergal Brian (1876-1972). It concentrates on the orchestral music written in a single decade — the 1930s — at a time when he ...
  • Determinism, aleatorism and tradition : the relationship between the analysis and compositional technique of selected music from 1945-64 

    McLachlan, John (Trinity College (Dublin, Ireland). Department of Music, 2001)
    During the period under consideration in this study, serious music was concerned with a fundamental reassessment of compositional technique and aesthetics. Various different and sometimes opposing techniques were developed ...
  • Brahms's critics : continuity and discontinuity in the critical reception of Johannes Brahms 

    Grimes, Nicole (Trinity College (Dublin, Ireland). Department of Music, 2008)
    This thesis draws on the writings of a number of nineteenth-century musical commentators, including Richard Pohl, Hermann Deiters, Selmar Bagge, Adolf Schubring, Franz Brendel, and Eduard Hanslick. These critics were writing ...

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