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Recent Submissions

  • Premise and compositional working-out : an examination through analysis of Ligeti's changing style 

    Haughey, Helen (Trinity College (Dublin, Ireland). Department of Music, 2002)
    In many of his interviews and writings from the mid-eighties, Ligeti talks of a crisis in his compositional output, and his move to a simpler style. This thesis takes the form of three detailed analyses of works which span ...
  • Evolving Sounds 

    KEEGAN, BRIAN (Trinity College Dublin. School of Creative Arts. Discipline of Music, 2018)
    Abstract This work concerns the role of musical time and space in relation to the body of compositions that form part of this research. Although these two areas are immense, they are nonetheless unavoidable in music ...
  • Commentary on the Portfolio of Compositions 

    CZERNIAK, ELIS (Trinity College Dublin. School of Creative Arts. Discipline of Music, 2018)
    This thesis, comprised of a portfolio of compositions accompanied by media examples and commentary, traces the evolution of the author?s compositional approach in the search for a manner to present unstable sound that ...
  • Commentary on the portfolio of compositions 

    van Tonder, Cobi (Trinity College (Dublin, Ireland). Department of Music, 2016)
    The portfolio contains seven compositions with varying instrumentation, ranging from string quartet to computer processed voice ensemble to purely electronic forces. Fata Morgana is the largest work in the portfolio and ...
  • Commentary on the portfolio of compositions 

    Kirby, Jenn (Trinity College (Dublin, Ireland). Department of Music, 2016)
    The portfolio contains fourteen compositions with varying instrumentation, ranging from string quartet to laptop orchestra. Of the fourteen compositions, seven are acoustic, six are electroacoustic and one piece is for ...

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