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Recent Submissions

  • Commentary on the Portfolio of Compositions 

    CZERNIAK, ELIS (Trinity College Dublin. School of Creative Arts. Discipline of Music, 2018)
    This thesis, comprised of a portfolio of compositions accompanied by media examples and commentary, traces the evolution of the author?s compositional approach in the search for a manner to present unstable sound that ...
  • Commentary on the portfolio of compositions 

    van Tonder, Cobi (Trinity College (Dublin, Ireland). Department of Music, 2016)
    The portfolio contains seven compositions with varying instrumentation, ranging from string quartet to computer processed voice ensemble to purely electronic forces. Fata Morgana is the largest work in the portfolio and ...
  • Commentary on the portfolio of compositions 

    Kirby, Jenn (Trinity College (Dublin, Ireland). Department of Music, 2016)
    The portfolio contains fourteen compositions with varying instrumentation, ranging from string quartet to laptop orchestra. Of the fourteen compositions, seven are acoustic, six are electroacoustic and one piece is for ...
  • Music in Liquid Forms: A Framework for the Creation of Reactive Music Recordings 

    HENNIGAN, KEITH (Trinity College Dublin. School of Creative Arts. Discipline of Music, 2018)
    This thesis aims to research and propose a possible framework or model for the creation and dissemination of liquid music recordings, defining this term in relation to others such as reactive, generative and so on. Results ...
  • The Histories of Charles Burney and John Hawkins: A Cultural Context 

    Conway, Tess (Trinity College Dublin. School of Creative Arts. Discipline of Music, 2018)
    The Histories of Charles Burney and John Hawkins are examined with reference to the observation by Carl Dahlhaus (1983) and Warren Dwight Allen (1939/62) that written history reflects the culture of the age in which it is ...

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