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Vocal Artefacts: A Sonic Imagination of the Human Microphone
(Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2021)This thesis (Vocal Artefacts) presents a body of artistic research and practice inspired by the event of the human microphone at Occupy Wall Street, Zuccotti Park, in the autumn of 2011. Vocal Artefacts conceives of the ... -
Interleaving as Cultural Technique in the Audio CD and the End of Archaeophonography
(2021)This article discusses a significant if imperceptible feature of how audio compact discs (CDs) inscribe sound: interleaving. It shows how CDs materialize interleaving—the microtemporal re-ordering of data—as a cultural ... -
On the Move: Incorporating movement, visuals, and compositional techniques derived from the marching arts into non-marching contemporary solos and ensembles
(Trinity College Dublin. School of Creative Arts. Discipline of Music, 2021)Marching band has a rich history. It was the original mode of communication and transportation for the military, has shown respect or support for a political stance, and has provided entertainment value. Since the 1970s, ... -
Composing the Uncertainty: Exploring Different Possibilities of Indeterminacy in Composition
(Trinity College Dublin. School of Creative Arts. Discipline of Music, 2021)This PhD project Composing the Uncertainty comprised of a portfolio of seven compositions - To Define is to Limit, The Ecstasy of Liberation, Oblivion, Caprice of the Cosmos, String Quartet Part 1, Defining Chaos, and ... -
The Early Cultural Contexts of Shakespearean Stage Music: Vocality, Circulation and Representation
(Trinity College Dublin. School of Creative Arts. Discipline of Music, 2021)The aim of this thesis is twofold: 1. To investigate the cultural significance of Shakespearean theatre music with specific focus on the use of boys voices on the stage, depictions of the supernatural world, and musical ...
