School of Creative Arts
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REIMAGINING THE PUBLIC SPHERE: ADDRESSING THE CRISES OF DEMOCRACY THROUGH APPLIED DRAMA
(Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2022)Liberal democracy is under threat and in a state of crisis around the world. This crisis of democracy is characterised by a rise in right-wing populism, an increase in political strongmen, and an undermining of liberal ... -
The Worship Music of Dublin's Church of Ireland Parishes and Other Protestant Denominations in the Long Eighteenth Century: Sources, Repertoire and Cultural Context
(Trinity College Dublin. School of Creative Arts. Discipline of Music, 2022)Studies of music in eighteenth-century Dublin have, to date, typically focussed on the musical culture of the upper-class Protestant Ascendancy, and even more specifically, on secular music. Research into sacred music has ... -
The Accompaniment of Plainchant in France, Belgium and Certain Other Catholic Regions: A Chronological Study of Theory and Practice from the French Revolution to the Second Vatican Council
(Trinity College Dublin. School of Creative Arts. Discipline of Music, 2022)This dissertation establishes the techniques employed in the organ accompaniment of plainchant, determines whether consensus was reached on the adoption of such techniques, and illustrates the musical and commercial factors ... -
Unconscious Biases In Irish Theatre: Reading plays by women before and after #WakingTheFeminists
(Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2022)The emergence of #WakingTheFeminists in response to the Abbey Theatre?s male-dominated 2016 ?Waking The Nation? programme confirmed the presence of systemic gender bias within Irish theatre. This thesis investigates the ... -
Performing Religion and Spirituality: The Postsecular Turn in Contemporary British and Irish Theatre
(Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2022)This thesis argues that there has been a postsecular turn on the contemporary stage, focussing in particular on woman-centred theatre in Britain and Ireland in the past three decades. It deals with the representation ...