Browsing School of Creative Arts by Title
Now showing items 50-69 of 104
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Narrative and ideology in contemporary Hollywood cinema, 1990-1999
(Trinity College (Dublin, Ireland). Department of Film, 2004)The main purpose of this thesis is to investigate the relationship between ideology and the narrative structure of popular Hollywood cinema in the 1990s, particularly the manner in which a closed narrative structure serves ... -
On going on : the ethic of impossibility in the performance of Samuel Beckett's prose
(Trinity College (Dublin, Ireland). Department of Drama, 2009)This dissertation presents a history of performances of the prose of Samuel Beckett and illuminates a theory of prose performance through readings of his work. Unifying a phenomenological reading of prose performance with ... -
On the Move: Incorporating movement, visuals, and compositional techniques derived from the marching arts into non-marching contemporary solos and ensembles
(Trinity College Dublin. School of Creative Arts. Discipline of Music, 2021)Marching band has a rich history. It was the original mode of communication and transportation for the military, has shown respect or support for a political stance, and has provided entertainment value. Since the 1970s, ... -
Opera as Literature and the Triumph of Music
(Cambridge University Press, 2017) -
Paralanguage and The Beatles
(Trinity College Dublin. School of Creative Arts. Discipline of Music, 2020)Scholarship concerning popular song has lent itself to studies throughout the arts and humanities, but it has not received a close study oriented through paralanguage. That is the nonverbal characteristics of speech that ... -
Paul Dukas's music-text aesthetic : a study of its sources, theory and practice, 1891-1907
(Trinity College (Dublin, Ireland). Department of Music, 2008) -
Performativities of intimacy in the age of biopolitics
(Trinity College (Dublin, Ireland). Department of Drama, 2012)The aim of this thesis is to propose a dialogue between Giorgio Agamben’s philosophy and the field of 'performance studies'. My theory of the performativity of intimacy needs to be read as a conceptual attempt to address ... -
Performing other Irelands : 'race', politics and contemporary Irish theatre
(Trinity College (Dublin, Ireland). Department of Drama, 2011)At a time of unprecedented economic upheaval and extraordinarily rapid social transformation, this thesis considers the representation of ‘race’ on the contemporary Irish stage during the Celtic Tiger years. The productions ... -
Performing videogames : understanding digital play, agency, and engagement through live performance
(Trinity College (Dublin, Ireland). Department of Drama, 2013)This thesis Is a contribution to the fields of digital cultural studies, game studies, and studies of theatre and performance, I will consider the aesthetic, structural and technological exchanges, interactions, and ... -
Peter Sellars and the persistence of modernity
(Trinity College (Dublin, Ireland). Department of Drama, 2001)If language is subjective, if the sign is unstable, if meaning is endlessly deferred, how is it possible to assume a position of moral critique? Confronted by persistent social crisis, the American theatre and opera ... -
Premise and compositional working-out : an examination through analysis of Ligeti's changing style
(Trinity College (Dublin, Ireland). Department of Music, 2002)In many of his interviews and writings from the mid-eighties, Ligeti talks of a crisis in his compositional output, and his move to a simpler style. This thesis takes the form of three detailed analyses of works which span ... -
Present laughter : humour at the site of impact in theatre performance
(Trinity College (Dublin, Ireland). Department of Drama, 2000)This dissertation examines the implications for the humorous transaction at its immediate site of impact within mimetic theatre performance, as given to the bodied subjects involved. The thesis establishes its theoretical ... -
Private parts, public bodies : cross-dressing in the work of Deborah Warner and Elizabeth Lecompte
(Trinity College (Dublin, Ireland). Department of Drama, 2003)In this thesis I ask what cross-dressing can tell us about the formation of identity in performance. I argue that the use of cross-dressing in the work of Deborah Warner and Elizabeth LeCompte can be used to challenge and ... -
Profane love, the heartening story and sublation : the dialectical image in film
(Trinity College (Dublin, Ireland). Department of Film, 2015)This thesis develops an understanding of the application of Walter Benjamin’s dialectical image. Benjamin’s theory of the dialectical image is examined through the comparison of avant-garde and realist film productions and ... -
Reel trauma : contemporary screenings of Northern Irish conflict (1996-2005)
(Trinity College (Dublin, Ireland). Department of Film, 2007)Since the first IRA ceasefire in 1994, construction of discursive memory in Northern Ireland’s cultural spheres has politicised and sanitised historical trauma. This thesis identifies audio-visual culture as being exemplary ... -
Reflections in a Panopticon : a reassessment of the music of Pierre Boulez in comparison with John Cage (1951-52), through analysis of their music and chart material
(Trinity College (Dublin, Ireland). Department of Music, 2009)This thesis reassesses works by Pierre Boulez, both individually, and in comparison with John Cage during the peak of their correspondence, 1951-52. Chart material for the works by Pierre Boulez— Structures, Book 1 and ...