Giorgio Cornaro and the Cloth of Gold
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Rachel Healy, Giorgio Cornaro and the Cloth of Gold, Source: Notes in the History of Art, 45, 1, 2025, 6 - 16
Abstract
In his series of biographies, Lives of the Most Excellent Painters, Sculptors, and Architects, Giorgio Vasari (1511–1574) recalled seeing a portrait of the young Giorgio Cornaro (ca. 1454–1527) by Gentile Bellini (1429–1507)—however, it is either lost or resists identification. The portrait may be synonymous with the so-called Portrait of a Procurator and an Allegorical Figure (ca. 1490; fig. 1), from the Emo Capodilista collection in the Musei Civici agli Eremitani, Padua. Previously, the Paduan painting has been assigned to Gentile Bellini by Van Marle in 1935; Girolamo da Santacroce by Berenson in 1936; the Venetian School by Moschetti in 1938; and Domenico Campagnola by Heinemann in 1962.
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https://doi.org/10.1086/738123
https://doi.org/10.1086/738123
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Sponsor: Irish Research Council (IRC)
Grant Number: GOIPD/2025/1628
Author's Homepage: http://people.tcd.ie/rhealy3
Type of material: Journal Article

