Death, sacrifice and mourning in German women's art of the First World War
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Trinity College (Dublin, Ireland). Department of History
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Claudia Siebrecht, 'Death, sacrifice and mourning in German women's art of the First World War', [thesis], Trinity College (Dublin, Ireland). Department of History, 2007, pp 625
Abstract
The war and its consequences were the dominant themes in German women's art
between 1914 and 1919. In the early stages of the conflict, women's art was employed to
rally support for the war effort, to appeal to women's patriotism and to offer practical
guidelines for living under wartime conditions. As the war continued, however, much of the
work produced by women artists began to reflect a growing awareness of the carnage
occurring on the fighting fronts. Many of the images they created reflected the pain of
women's bereavement and the different stages of their mourning process. Art also provided
a medium through which different interpretations of the conflict were explored and the
search for a meaning of the war could progress. This study will argue that women's art of
the First World War reflects a unique contemporary perspective on the conflict which was
grounded in women's actual wartime experiences. This led to the development of new
iconographical patterns in women's art.
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Qualification name: Doctor of Philosophy (Ph.D.)
Publisher: Trinity College (Dublin, Ireland). Department of History
Type of material: thesis

