Browsing Royal Irish Academy of Music by Title
Now showing items 1-20 of 81
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Alan Louis Smith's Vignettes: Covered Wagon Woman : a historical and musical analysis from a performer's perspective
(Royal Irish Academy of Music, 2023-01)The history of art song in the United States is a varied and unique blend of differing styles and cultures. Previous research includes the histories of Native American music, the influence of mass immigration on American ... -
Arrangements of Irish Airs
(2018-04)Recording of performance given by Dr Annette Cleary (Cello) and Prof Réamonn Keary (Piano), RIAM Amplify Research Day, Recital Room, RIAM, Thursday 12th April 2018. Video by Jonathan Nangle. -
Aspects of a late-developing repertoire: the string quartet in Ireland 1916-2016
(Royal Irish Academy of Music, 2023-03)This thesis explores aspects of a hundred-year history of the string quartet in Ireland. It takes the year of the Easter Rising as its starting point. During the period covered by the thesis, the string quartet in Ireland ... -
Ballade no 4 in F minor, op 52
(2010) -
Brain freeze
(2016) -
Breathe
(2013)Breath is an Audio-Visual Installation for 12 DC Motors, Propellers, Plastic Bags and an Arduino producing algorithmically generated rhythmic sequences. -
The Butterfly - Aaron's Key
(Trio Elatha, 2015) -
Cello Sonata, Scherzo
(2018-04-12)Recording of performance given by Dr Annette Cleary (Cello) and Prof Réamonn Keary (Piano), RIAM Amplify Research Day, Recital Room, RIAM, Thursday 12th April 2018. Video by Jonathan Nangle. -
ChamberFest Dublin 2021 Programme
(Royal Irish Academy of Music, 2021-04) -
Communicating meaning in Petr Eben's Písně nelaskavé : a performance perspective
(Royal Irish Academy of Music, 2023-04)Czech composer Petr Eben (1929-2007) was an important contributor to art music of the Czech Republic. He was sent to Buchenwald concentration camp during World War II and lived under an oppressive Communist government ... -
Comparative Country Analysis on Leadership in Music Employability
(NEWS in MAP, 2021-01)The NEWS in MAP project aims to develop a fourteen-week module for music students that will cultivate the knowledge and skills relating to self-leadership, while also providing opportunities for students to apply what they ... -
Composition Portfolio
The following is a descriptive analysis and interpretation of a body of work spanning two years during my Masters of Music postgraduate course in the Royal Irish Academy of Music, Dublin. I will endeavor to give a broad ... -
'Connecting abstract values to artistic choices' : memory, metaphor and interpretation in Ravel's Miroirs
(Royal Irish Academy of Music, 2023-03)This investigation is concerned with the construction of an aesthetic understanding of Miroirs by Maurice Ravel, approaching the work from several scholarly perspectives, as well as that of pianist. While significant ... -
Considerations for a modern performance of John Field's Piano Sonata op. 1 no. 1 in E flat Major
The wish to prepare John Field’s Piano Sonata op.1 no.1 in E flat major for a concert performance led the author to investigate and research the Urtext edition published by G. Henle Verlag (1983). As no autograph manuscript ... -
Contemporary Irish choral music and an outline of its historical origins
This thesis examines the unfamiliar new reality of Irish choral music. It is in a better state of health now in the early twenty-first century than at any point in its long and difficult history. Irish choral music today ... -
Contrasts in John Field reception: the Parisian 'Images'
(Brepols, 2015) -
Dance suite, 4th movement, Maggot
(Atoll, 2015)The halls of 18th century Dublin resounded with this music, much of it now rediscovered and recorded for the first time. -
Die Zauberflöte
(2016-01)The Royal Irish Academy of Music in collaboration with Design for Stage and Screen at IADT, Dun Laoghaire presents an opera by Wolfgang Amadeus Mozart (1756-1791). Libretto by Emanuel Schikaneder (1751-1812). January ... -
Domestic Sacred Music in Jacobean England: John Amner’s Sacred Hymnes … for Voyces and Vyols (1615)
The choral and instrumental compositions of John Amner have been eclipsed by other English Renaissance composers, yet his printed collection of music from 1615, Sacred Hymnes of 3. 4. 5 and 6. Parts for Voyces and Vyols, ...