Browsing RIAM Theses & Dissertations by Title
Now showing items 23-36 of 36
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Miklós Rózsa's 'double life' : an assessment of Hungarian folksong elements in three of Rózsa's concert hall works
Miklós Rózsa (1907 – 1995) is best known for his Hollywood film scores, but in addition to this he also composed many concert hall works, leading to a diverse compositional output and the self-declaration of a ‘double ... -
Mirrors of monstrosity: the representation of the outcast in Benjamin Britten's Peter Grimes and Death in Venice
The figure of the monster is at the heart of Benjamin Britten’s operas. By orchestrating and dramatizing various outcast figures from the world of literature, Britten and his librettists have illustrated that the monster ... -
Music, text and context in Felix Mendelssohn’s choral works for Berlin Cathedral
Although the towering presence of Mendelssohn’s oratorios has dominated the scholarship on his choral music, new light has recently been shed upon some of the shorter vocal works. During Mendelssohn’s tenure as ... -
Operation Singing Nation : a case study towards fulfilling the professional development needs of teachers in Ireland to facilitate group singing
Operation Singing Nation: a case study towards fulfilling the professional development needs of teachers in Ireland to facilitate group singing. Instantly cost-effective, accessible and inclusive, the voice as a musical ... -
Orchestrations of French piano music of the late nineteenth and early twentieth centuries : a pianist's perspective
(Royal Irish Academy of Music, 2023)Regarding orchestrations of the piano repertoire, French music of the late nineteenth and early twentieth centuries constitutes a uniquely rich canon. While a great deal has been written about this repertoire, this thesis ... -
Performance Considerations for Robert O’Dwyer’s Eithne (1909): A Contextual Study and Edited Vocal Score
Robert O’Dwyer’s Eithne (1909) is recognised as the first opera to be performed in the Irish language. Based on the Irish folklore legend, Éan an cheoil bhinn or ‘bird of the sweet music’, the work is at once representative ... -
A performer's exploration of aspects of selected nineteenth-century solo piano works by female composers: Schumann, Chaminade and Beach
(Royal Irish Academy of Music, 2024-04)Much has been written about the performance of nineteenth-century solo piano music which forms part of the so-called canon of more frequently performed or, what might be considered ‘standard’, repertoire. Many highly ... -
The Process of Preparing Irish Cello Sonatas (1968-1996) for Performance
This dissertation focuses on all the sonatas for cello and piano by Irish composers in the second half of the twentieth century. The sonatas, seven in total, were composed between 1968 and 1996 and show little similarity ... -
Reimagining the Saxophone: Preparing Works by Six Irish Composers for Performance – A First History
This thesis examines the processes involved in the performance preparation of works for saxophone by six Irish composers: John Buckley (1951), Bill Whelan (1951), Benjamin Dwyer (1965), Mícheál Ó Súilleabháin (1950-2018), ... -
Roles for leading ladies: investigating the influence of ovarian hormones on performance anxiety and vocal impairment in elite singing
Professional singing in the classical western tradition is a highly stressful occupation. Training requires many years to gain proficiency. The vocalis muscle is influenced by fertility hormones. Unlike men, women experience ... -
A study of Teatro de los Caños del Peral within the European framework (1787-1799) : performing conditions of Italian opera and ballet d'action in late eighteenth-century Madrid
(Royal Irish Academy of Music, 2022-12)The Teatro de los Caños del Peral remains one of the most understudied and overlooked theatres in Spain. Despite the efforts of Emilio Cotarelo y Mori and Xoán M. Carreira among other scholars, their studies seem to have ... -
Towards a Historically Informed Performance of Chopin’s Op. 10 Études
In the 1970s, historically informed performance practice became a major movement which involved performers and musicologists alike. Earlier, historically informed performances and scholarship focused on Baroque repertoires ... -
A twentieth- and twenty-first-century piano étude soundworld: obsessions and self-portraiture in Philip Glass's Twenty Piano Études
(Royal Irish Academy of Music, 2023-10)Philip Glass’s Twenty Piano Études are a monumental contemporary contribution to the piano étude genre with notable composers throughout history using the oeuvre as a means of creating their own distinctive pianistic ... -
