Royal Irish Academy of Music: Recent submissions
Now showing items 21-40 of 82
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Hudleston’s Harmonic Sounds: An Evaluation of Josiah Hudleston’s 1841 Treatise on Guitar Harmonics
Josiah Andrew Hudleston (1799-1865) was a forgotten figure in the history of guitar until the early 1990s when his collection of guitar music was re-discovered in the basement of the Royal Irish Academy of Music in Dublin. ... -
An investigation of Aaron Copland’s Night Thoughts (1972) through a performative analysis
Since the latter half of the 1900s, large portions of Aaron Copland’s life and work have been researched and documented. However, the majority of the investigations pertain to largescale solo, orchestral, and ballet works ... -
Gerald Finzi’s Violin Concerto: A Performer’s Perspective
While many of the choral works by Gerald Finzi have become standard repertoire, his early Violin Concerto remains relatively unknown to most, receiving only one full performance in the composer’s lifetime and lying ... -
Investigating attitudes and practices toward vocal health in Irish conservatoires
This dissertation will investigate current practices and attitudes relating to vocal health in Irish conservatoires, namely the Royal Irish Academy of Music (RIAM), Dublin Institute of Technology (DIT), and Cork Institute ... -
RIAM Amplify Research Day 2019
(Royal Irish Academy of Music, 2019-04-11) -
Domestic Sacred Music in Jacobean England: John Amner’s Sacred Hymnes … for Voyces and Vyols (1615)
The choral and instrumental compositions of John Amner have been eclipsed by other English Renaissance composers, yet his printed collection of music from 1615, Sacred Hymnes of 3. 4. 5 and 6. Parts for Voyces and Vyols, ... -
Contemporary Irish choral music and an outline of its historical origins
This thesis examines the unfamiliar new reality of Irish choral music. It is in a better state of health now in the early twenty-first century than at any point in its long and difficult history. Irish choral music today ... -
Operation Singing Nation : a case study towards fulfilling the professional development needs of teachers in Ireland to facilitate group singing
Operation Singing Nation: a case study towards fulfilling the professional development needs of teachers in Ireland to facilitate group singing. Instantly cost-effective, accessible and inclusive, the voice as a musical ... -
Cello Sonata, Scherzo
(2018-04-12)Recording of performance given by Dr Annette Cleary (Cello) and Prof Réamonn Keary (Piano), RIAM Amplify Research Day, Recital Room, RIAM, Thursday 12th April 2018. Video by Jonathan Nangle. -
Arrangements of Irish Airs
(2018-04)Recording of performance given by Dr Annette Cleary (Cello) and Prof Réamonn Keary (Piano), RIAM Amplify Research Day, Recital Room, RIAM, Thursday 12th April 2018. Video by Jonathan Nangle. -
Roles for leading ladies: investigating the influence of ovarian hormones on performance anxiety and vocal impairment in elite singing
Professional singing in the classical western tradition is a highly stressful occupation. Training requires many years to gain proficiency. The vocalis muscle is influenced by fertility hormones. Unlike men, women experience ... -
Final thoughts? Interpretation of the first movements of Beethoven's and Schubert's last three piano sonatas
Considered as the apex of the literature for piano sonatas in the classical period, Beethoven’s last three piano sonatas, Opp. 109, 110, 111, and Schubert’s last three piano sonatas, D. 958, 959, and 960, are still well ... -
Miklós Rózsa's 'double life' : an assessment of Hungarian folksong elements in three of Rózsa's concert hall works
Miklós Rózsa (1907 – 1995) is best known for his Hollywood film scores, but in addition to this he also composed many concert hall works, leading to a diverse compositional output and the self-declaration of a ‘double ... -
Women and music in Ireland in the 19th and 20th centuries
(Royal Irish Academy of Music, 2017-03-24) -
Women and Music in Nineteenth-Century Dublin
(International Alliance for Women in Music, 2009) -
Considerations for a modern performance of John Field's Piano Sonata op. 1 no. 1 in E flat Major
The wish to prepare John Field’s Piano Sonata op.1 no.1 in E flat major for a concert performance led the author to investigate and research the Urtext edition published by G. Henle Verlag (1983). As no autograph manuscript ... -
Interpretation and Performance: An Investigation into Franz Schubert's Piano Sonata in A major D959
The investigation is based on the understanding of the role of the performer as narrator in the performance of early nineteenth-century piano music in general and Schubert’s Piano Sonata in A Major, D959, in particular. ... -
RIAM Piano Immersion Day, 15th May 2016
(2016-05-15) -
Mirrors of monstrosity: the representation of the outcast in Benjamin Britten's Peter Grimes and Death in Venice
The figure of the monster is at the heart of Benjamin Britten’s operas. By orchestrating and dramatizing various outcast figures from the world of literature, Britten and his librettists have illustrated that the monster ...