RSS 1.0Royal Irish Academy of Music
The Royal Irish Academy of Music (RIAM) is a home of musical excellence and innovation. Founded in 1848, the Academy is Ireland’s oldest musical institution and is a place of teaching and learning which consistently achieves its objective of maintaining and sharing the highest standards of music performance, composition and research. The RIAM plays a central role in the development, delivery and promotion of Ireland’s cultural and educational agenda, contributing to a dynamic, innovative society for which the Performing Arts are a source of inspiration and value.
Academic/Research Units within this Academic/Research Unit
Recent Submissions
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A performer's exploration of aspects of selected nineteenth-century solo piano works by female composers: Schumann, Chaminade and Beach
(Royal Irish Academy of Music, 2024-04)Much has been written about the performance of nineteenth-century solo piano music which forms part of the so-called canon of more frequently performed or, what might be considered ‘standard’, repertoire. Many highly ... -
A twentieth- and twenty-first-century piano étude soundworld: obsessions and self-portraiture in Philip Glass's Twenty Piano Études
(Royal Irish Academy of Music, 2023-10)Philip Glass’s Twenty Piano Études are a monumental contemporary contribution to the piano étude genre with notable composers throughout history using the oeuvre as a means of creating their own distinctive pianistic ... -
Orchestrations of French piano music of the late nineteenth and early twentieth centuries : a pianist's perspective
(Royal Irish Academy of Music, 2023)Regarding orchestrations of the piano repertoire, French music of the late nineteenth and early twentieth centuries constitutes a uniquely rich canon. While a great deal has been written about this repertoire, this thesis ... -
A study of Teatro de los Caños del Peral within the European framework (1787-1799) : performing conditions of Italian opera and ballet d'action in late eighteenth-century Madrid
(Royal Irish Academy of Music, 2022-12)The Teatro de los Caños del Peral remains one of the most understudied and overlooked theatres in Spain. Despite the efforts of Emilio Cotarelo y Mori and Xoán M. Carreira among other scholars, their studies seem to have ... -
Communicating meaning in Petr Eben's Písně nelaskavé : a performance perspective
(Royal Irish Academy of Music, 2023-04)Czech composer Petr Eben (1929-2007) was an important contributor to art music of the Czech Republic. He was sent to Buchenwald concentration camp during World War II and lived under an oppressive Communist government ... -
An Investigation of Jānis Mediņš’s Piano Sonata (1946): historical context, analysis, editing and performance
(Royal Irish Academy of Music, 2023) -
Aspects of a late-developing repertoire: the string quartet in Ireland 1916-2016
(Royal Irish Academy of Music, 2023-03)This thesis explores aspects of a hundred-year history of the string quartet in Ireland. It takes the year of the Easter Rising as its starting point. During the period covered by the thesis, the string quartet in Ireland ... -
'Connecting abstract values to artistic choices' : memory, metaphor and interpretation in Ravel's Miroirs
(Royal Irish Academy of Music, 2023-03)This investigation is concerned with the construction of an aesthetic understanding of Miroirs by Maurice Ravel, approaching the work from several scholarly perspectives, as well as that of pianist. While significant ... -
Alan Louis Smith's Vignettes: Covered Wagon Woman : a historical and musical analysis from a performer's perspective
(Royal Irish Academy of Music, 2023-01)The history of art song in the United States is a varied and unique blend of differing styles and cultures. Previous research includes the histories of Native American music, the influence of mass immigration on American ... -
Interpretation and performance: a comparative study of artistic interpretations of performances of Beethoven's Eroica Piano Variations and Fugue in E flat major, op 35
(Royal Irish Academy of Music, 2022-09)Once music is created, the music may be played repeatedly by numerous performers for a long time and this custom has created the tradition of performances of Western classical music. Although the same music is played more ... -
From ancient to avant-garde: The evolution of the organ in Ireland and a performer's analysis of five Irish contemporary pieces for solo organ
(Royal Irish Academy of Music, 2022-06)The organ is an instrument with a lengthy and diverse history. Woven into the very fabric of the venues in which they are situated, organs envelop listeners in a world of sound and resonance. Much has been written on the ... -
The influence of the Cork International Choral Festival on choral singing, choral conducting and choral composition in Ireland (1954-2021)
(Royal Irish Academy of Music, 2022-04)The Cork International Choral Festival was established in 1954 as part of the Tóstal festival – a festival that sought to celebrate and showcase Irish traditions on an international stage. Over time (1954-2021), the Festival ... -
Implications of collaboration : the recreative artist and autoethnographic research in Seóirse Bodley's Never to have lived is best (1965)
(Royal Irish Academy of Music, 2022)Since 1953 Seóirse Bodley has been a prominent composer, lecturer, academic, conductor and pianist in Irish classical music. Much has been written about Seóirse Bodley and his compositions. Axel Klein, Gareth Cox, Lorraine ... -
Implicit curriculum : improvisation pedagogy in guitar methods 1760-1860
(Royal Irish Academy of Music, 2021-10)Between 1760 and 1860 the guitar was in a fervent state of metamorphosis and experienced an unprecedented rise in popularity among lower- and middle-class learners. In this period of popularity, a strong community of ... -
Reimagining the Saxophone: Preparing Works by Six Irish Composers for Performance – A First History
This thesis examines the processes involved in the performance preparation of works for saxophone by six Irish composers: John Buckley (1951), Bill Whelan (1951), Benjamin Dwyer (1965), Mícheál Ó Súilleabháin (1950-2018), ... -
ChamberFest Dublin 2021 Programme
(Royal Irish Academy of Music, 2021-04) -
RIAM Amplify Research Day 2021
(Royal Irish Academy of Music, 2021-03-04) -
Comparative Country Analysis on Leadership in Music Employability
(NEWS in MAP, 2021-01)The NEWS in MAP project aims to develop a fourteen-week module for music students that will cultivate the knowledge and skills relating to self-leadership, while also providing opportunities for students to apply what they ... -
Hudleston’s Harmonic Sounds: An Evaluation of Josiah Hudleston’s 1841 Treatise on Guitar Harmonics
Josiah Andrew Hudleston (1799-1865) was a forgotten figure in the history of guitar until the early 1990s when his collection of guitar music was re-discovered in the basement of the Royal Irish Academy of Music in Dublin. ...
