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Repositioning Irish identities: exhibiting Irish contemporary art abroad (1980-2005)
(Trinity College Dublin. Long Room Hub, 2008)
The aim is to examine models of thinking about the international exhibition of Irish contemporary art (IEICA) and account for the discursive frameworks and institutional networks within which Irish contemporary art is ...
Irish identity and the modern step dancing costume
(Trinity College Dublin. Long Room Hub, 2008)
The early step dancing costume was developed in concurrence with the Celtic Revival as a response to the need for visible national identity. Today's step dancing costume, by contrast, stresses the individual, looking outward ...