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dc.contributor.advisorBrown, Terence
dc.contributor.authorMooney, Wendy
dc.date.accessioned2019-11-13T11:48:06Z
dc.date.available2019-11-13T11:48:06Z
dc.date.issued2012
dc.identifier.citationWendy Mooney, 'William Allingham in his contexts', [thesis], Trinity College (Dublin, Ireland). School of English, 2012, pp 388
dc.identifier.otherTHESIS 9721
dc.identifier.urihttp://hdl.handle.net/2262/90413
dc.description.abstractThis thesis examines the work of William Allingham within its social, cultural and historical contexts in order to clarify the true influences behind the Donegal poet's poems and ballads and the driving force behind his essays and articles. Allingham's early Irish landscape poems contained in Poems (1850) and The Music Master, A Love Story; and Two Series of Day and Night Songs (1855), and his efforts to establish his distinctiveness in England through a common Celticism often inspired by Irish landscape painting are assessed - as is the impact of the Famine, which makes its presence felt in the states and images of marginality described in his early poems.
dc.format1 volume
dc.language.isoen
dc.publisherTrinity College (Dublin, Ireland). School of English
dc.relation.isversionofhttp://stella.catalogue.tcd.ie/iii/encore/record/C__Rb15152897
dc.subjectEnglish, Ph.D.
dc.subjectPh.D. Trinity College Dublin.
dc.titleWilliam Allingham in his contexts
dc.typethesis
dc.type.supercollectionthesis_dissertations
dc.type.supercollectionrefereed_publications
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (Ph.D.)
dc.rights.ecaccessrightsopenAccess
dc.format.extentpaginationpp 388
dc.description.noteTARA (Trinity’s Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie


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