dc.contributor.author | HUMPHRIES, JANE | en |
dc.date.accessioned | 2010-04-21T17:38:32Z | |
dc.date.available | 2010-04-21T17:38:32Z | |
dc.date.issued | 2008 | en |
dc.date.submitted | 2008 | en |
dc.identifier.citation | Jane Humphries, From Subversion to Celebration: The Emergence of a domestic avant garde in contemporary Irish Art, Journal of Post Graduate Research Trinity, 7, 2008, 36-54 | en |
dc.identifier.other | Y | en |
dc.identifier.uri | http://hdl.handle.net/2262/39171 | |
dc.description | PUBLISHED | en |
dc.description.abstract | Although the domestic has been critically observed in relation to British artists in the
1990s, it has not been considered cross-culturally in terms of Irish artists.1
Considering many female Irish artists were coming of age in the 1990s, as part of a
newly enlightened media-aware generation, conscious of feminist ideas and changing
attitudes towards women both in Ireland and internationally, this paper argues that
consequently, the domestic, as a subject-matter or material culture, became the vanguard
for a `domestic? artistic movement to develop. | en |
dc.format.extent | 36-54 | en |
dc.language.iso | en | en |
dc.relation.ispartofseries | Journal of Post Graduate Research Trinity | en |
dc.relation.ispartofseries | 7 | en |
dc.rights | Y | en |
dc.subject | History of Art | |
dc.title | From Subversion to Celebration: The Emergence of a domestic avant garde in contemporary Irish Art | en |
dc.type | Journal Article | en |
dc.type.supercollection | scholarly_publications | en |
dc.type.supercollection | refereed_publications | en |
dc.identifier.peoplefinderurl | http://people.tcd.ie/jhumphri | en |
dc.identifier.peoplefinderurl | http://people.tcd.ie/jhumphri | en |
dc.identifier.rssinternalid | 51336 | en |