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  • Affective Encounters: A Study of Immersive Performance and Digital Culture 

    BUTLER, ANGELA BRIDGET (Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2019)
    This thesis presents a study of immersive performance and digital culture. As a whole, the thesis considers the aesthetic experience offered by a certain strand of contemporary immersive theatre which I have identified and ...
  • Music in Liquid Forms: A Framework for the Creation of Reactive Music Recordings 

    HENNIGAN, KEITH (Trinity College Dublin. School of Creative Arts. Discipline of Music, 2018)
    This thesis aims to research and propose a possible framework or model for the creation and dissemination of liquid music recordings, defining this term in relation to others such as reactive, generative and so on. Results ...
  • Performative Criticism: Samuel Beckett and Georges Duthuit 

    JOHNSON, NICHOLAS (2013)
    Art criticism is most often expressed as monologue rather than as dialogue, and is generally disseminated in printed text rather than in embodied performance. The Three Dialogues between Samuel Beckett and Georges Duthuit, ...
  • Post-Cold War Experimental Theatre of China: Staging Globalisation and Its Resistance 

    WEI, ZHEYU (Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2017)
    This thesis is a study of Chinese experimental theatre from the year 1990 to the year 2014, to examine the involvement of Chinese theatre in the process of globalisation – the increasingly intensified relationship between ...
  • REIMAGINING THE PUBLIC SPHERE: ADDRESSING THE CRISES OF DEMOCRACY THROUGH APPLIED DRAMA 

    Grile, Courtney Helen (Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2022)
    Liberal democracy is under threat and in a state of crisis around the world. This crisis of democracy is characterised by a rise in right-wing populism, an increase in political strongmen, and an undermining of liberal ...
  • Translating the Tragic: Mimetic Transformation of Attic Tragedies on the Contemporary Stage 

    DINCEL, BURC IDEM (Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2019)
    The present study seeks to answer a fundamental series of questions related to the act of translation immanent to theatrical productions in general: which factors bring the real action into being during a performance? How ...
  • Virtual Play: Beckettian Experiments in Virtual Reality 

    JOHNSON, NICHOLAS; O'DWYER, NÉILL (2018)
    The past ten years have seen extensive experimentation with Beckett and new technological media at Trinity College Dublin. Research projects have included the stage adaptation and installation of a teleplay (Ghost Trio, ...