dc.contributor.author | Quigley, Paula | |
dc.date.accessioned | 2024-02-27T14:48:19Z | |
dc.date.available | 2024-02-27T14:48:19Z | |
dc.date.issued | 2021 | |
dc.date.submitted | 2021 | en |
dc.identifier.citation | Paula Quigley, Mapping her-self: ‘Ma and Da’, Small Deaths, Gasman and the ‘mobile home’ , Short Film Studies, 11, 2, 2021, 167 - 175 | en |
dc.identifier.issn | ISSN: 2042-7824 | |
dc.identifier.other | Y | |
dc.identifier.uri | http://hdl.handle.net/2262/106569 | |
dc.description | PUBLISHED | en |
dc.description.abstract | Challenging the view of home as the very opposite of voyage, Giuliana Bruno suggests that houses and films share certain similarities insofar as both could be considered inherently mobile sights/sites of passage. Taking this as a starting point, this article considers the ways in which the vignette and the short film act as a vehicle for the young girl’s ‘domestic travel’ in Lynne Ramsay’s ‘Ma and Da’ from Small Deaths (1996) and Gasman (1998). | en |
dc.format.extent | 167 | en |
dc.format.extent | 175 | en |
dc.language.iso | en | en |
dc.relation.ispartofseries | Short Film Studies; | |
dc.relation.ispartofseries | 11; | |
dc.relation.ispartofseries | 2; | |
dc.rights | Y | en |
dc.subject | Lynne Ramsay | en |
dc.subject | Giuliana Bruno | en |
dc.subject | Small Deaths | en |
dc.subject | Gasman | en |
dc.subject | Short film | en |
dc.subject | Film and gender | en |
dc.title | Mapping her-self: ‘Ma and Da’, Small Deaths, Gasman and the ‘mobile home’ | en |
dc.type | Journal Article | en |
dc.type.supercollection | scholarly_publications | en |
dc.type.supercollection | refereed_publications | en |
dc.identifier.peoplefinderurl | http://people.tcd.ie/pquigley | |
dc.identifier.rssinternalid | 230653 | |
dc.identifier.doi | https://doi.org/10.1386/sfs_00051_1 | |
dc.rights.ecaccessrights | openAccess | |
dc.subject.TCDTheme | Creative Arts Practice | en |
dc.identifier.rssuri | https://doi.org/10.1386/sfs_00051_1 | |
dc.status.accessible | N | en |