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dc.contributor.authorQuigley, Paula
dc.date.accessioned2024-02-27T14:48:19Z
dc.date.available2024-02-27T14:48:19Z
dc.date.issued2021
dc.date.submitted2021en
dc.identifier.citationPaula Quigley, Mapping her-self: ‘Ma and Da’, Small Deaths, Gasman and the ‘mobile home’ , Short Film Studies, 11, 2, 2021, 167 - 175en
dc.identifier.issnISSN: 2042-7824
dc.identifier.otherY
dc.identifier.urihttp://hdl.handle.net/2262/106569
dc.descriptionPUBLISHEDen
dc.description.abstractChallenging the view of home as the very opposite of voyage, Giuliana Bruno suggests that houses and films share certain similarities insofar as both could be considered inherently mobile sights/sites of passage. Taking this as a starting point, this article considers the ways in which the vignette and the short film act as a vehicle for the young girl’s ‘domestic travel’ in Lynne Ramsay’s ‘Ma and Da’ from Small Deaths (1996) and Gasman (1998).en
dc.format.extent167en
dc.format.extent175en
dc.language.isoenen
dc.relation.ispartofseriesShort Film Studies;
dc.relation.ispartofseries11;
dc.relation.ispartofseries2;
dc.rightsYen
dc.subjectLynne Ramsayen
dc.subjectGiuliana Brunoen
dc.subjectSmall Deathsen
dc.subjectGasmanen
dc.subjectShort filmen
dc.subjectFilm and genderen
dc.titleMapping her-self: ‘Ma and Da’, Small Deaths, Gasman and the ‘mobile home’en
dc.typeJournal Articleen
dc.type.supercollectionscholarly_publicationsen
dc.type.supercollectionrefereed_publicationsen
dc.identifier.peoplefinderurlhttp://people.tcd.ie/pquigley
dc.identifier.rssinternalid230653
dc.identifier.doihttps://doi.org/10.1386/sfs_00051_1
dc.rights.ecaccessrightsopenAccess
dc.subject.TCDThemeCreative Arts Practiceen
dc.identifier.rssurihttps://doi.org/10.1386/sfs_00051_1
dc.status.accessibleNen


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