Now showing items 1-6 of 6

    • Ambisonic Decoder Test Methodologies based on Binaural Reproduction 

      Bates, Enda (2021)
      The comparative evaluation of the quality of different Ambisonic decoding strategies presents a number of challenges, most notably the lack of a suitable reference signal other than the original, real-world audio scene. ...
    • Ambisonic Decoder Test Methodologies based on Loudspeaker Reproduction 

      Bates, Enda (Audio Engineering Society, 2022)
      The comparative evaluation of the quality of different Ambisonic decoding strategies presents a number of challenges, most notably the lack of a suitable reference signal other than the original, real-world audio scene. ...
    • Beckett in VR: Exploring Narrative Using Free-Viewpoint Video 

      Johnson, Nicholas; O'Dwyer, Neill; Smolic, Aljosa; Pagés, Rafael; Ondrej, Jan; Monaghan, David; Bates, Enda; Amplianitis, Konstantinos (2018)
      This poster describes a reinterpretation of Samuel Beckett’s theatrical text Playfor virtual reality (VR). It is an aesthetic reflection on practice that follows up an a technical project description submittedto ISMAR 2017 ...
    • SpaceMaps, Manifolds and a New Interface Paradigm for Spatial Music Performance 

      Bates, Enda (2015)
      SpaceMaps, Manifolds and a New Interface Paradigm for Spatial Music Performance Dr. Enda Bates batesja@tcd.ie www.endabates.net Trinity College Dublin BEAST FEaST 2015 University of Birmingham 30 April – 2 ...
    • Spatial music performance with the hexaphonic guitar 

      Bates, Enda (Trinity College Dublin. Long Room Hub, 2008)
      Spatial music can be defined as any form of music in which the spatial location of performers or sounds is used as an explicit compositional parameter. Most spatial music is not performed live but rather consists of either ...
    • The composition and performance of spatial music 

      Bates, Enda (Trinity College (Dublin, Ireland). Department of Electronic & Electrical Engineering, 2009)