<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace Academic/Research Unit: School of Drama, Film &amp; Music</title>
  <link rel="alternate" href="http://hdl.handle.net/2262/1782" />
  <subtitle>School of Drama, Film &amp; Music</subtitle>
  <id>http://hdl.handle.net/2262/1782</id>
  <updated>2013-05-24T09:17:20Z</updated>
  <dc:date>2013-05-24T09:17:20Z</dc:date>
  <entry>
    <title>Violin Teaching in the New Millennium: In Search of the Lost&#xD;
Instructions of Great Masters - an Examination of Similarities and&#xD;
Differences Between Schools of Playing and How These Have Evolved, or&#xD;
Remembering the Future of Violin Performance</title>
    <link rel="alternate" href="http://hdl.handle.net/2262/64557" />
    <author>
      <name>MASIN, GWENDOLYN CAROLINA HELENA</name>
    </author>
    <id>http://hdl.handle.net/2262/64557</id>
    <updated>2012-11-07T10:25:57Z</updated>
    <published>2012-01-01T00:00:00Z</published>
    <summary type="text">Title: Violin Teaching in the New Millennium: In Search of the Lost&#xD;
Instructions of Great Masters - an Examination of Similarities and&#xD;
Differences Between Schools of Playing and How These Have Evolved, or&#xD;
Remembering the Future of Violin Performance
Author: MASIN, GWENDOLYN CAROLINA HELENA
Abstract: This thesis addresses a number of issues that have developed in the concepts and practices of&#xD;
violin pedagogy and performance since World War II. In particular it identifies the ways in&#xD;
which cultural transnationality has diminished the distinctiveness of various historic schools&#xD;
of violin playing and pedagogy, and has led to practices and concepts within teaching that&#xD;
threaten a historically and artistically informed view of what it means to learn the instrument.&#xD;
It compares current practice with those that prevailed between the middle of the 18th century&#xD;
and the decades immediately after World War II, and identifies a lack of published treatises&#xD;
by contemporary pedagogues. A discussion of the genealogy of teaching between&#xD;
distinguished pedagogues of today and those of the 18th century identifies important issues of&#xD;
technique and of artistic heritage that are endangered, plus concepts that are maintained by&#xD;
the best teachers and must be preserved. A vast amount of data regarding this genealogy has&#xD;
been gathered so as to provide a far-reaching family tree that is accompanied by an infogram.&#xD;
The second part of the thesis consists of an extended discussion of the various approaches&#xD;
taken by the author's teachers (including Shmuel Ashkenasi, Herman Krebbers, Igor Ozim,&#xD;
Ana Chumachenco and Zakhar Bron) to specific technical and artistic challenges. It&#xD;
concludes that one of the most potentially valuable counterweights to these tendencies would&#xD;
be the establishment of an Internet database that would be available to students and&#xD;
pedagogues alike. Both the methodology and the content of this thesis would be a valid&#xD;
starting point for such a database.
Description: APPROVED</summary>
    <dc:date>2012-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>The eighteenth-century music manuscripts at St Patrick's Cathedral, Dublin: sources, lineage, and relationship to other collections</title>
    <link rel="alternate" href="http://hdl.handle.net/2262/40157" />
    <author>
      <name>Houston, Kerry</name>
    </author>
    <id>http://hdl.handle.net/2262/40157</id>
    <updated>2010-06-17T02:02:15Z</updated>
    <published>2002-01-01T00:00:00Z</published>
    <summary type="text">Title: The eighteenth-century music manuscripts at St Patrick's Cathedral, Dublin: sources, lineage, and relationship to other collections
Author: Houston, Kerry
Abstract: This thesis examines the music manuscripts copied before 1800 that survive in the music&#xD;
library at St Patrick’s Cathedral, Dublin. Prior to this study, these manuscripts had not&#xD;
been investigated in a comprehensive way. The aim of this investigation is to record&#xD;
textual detail of the manuscripts and to examine their provenance and lineage in the wider&#xD;
context of the cathedral’s history and the history of cathedral music in the British Isles.</summary>
    <dc:date>2002-01-01T00:00:00Z</dc:date>
  </entry>
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