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dc.contributor.advisorKennedy, Dennis
dc.contributor.authorFricker, Karen Paula
dc.date.accessioned2018-11-07T09:17:48Z
dc.date.available2018-11-07T09:17:48Z
dc.date.issued2005
dc.identifier.citationKaren Paula Fricker, 'The globalisation of Robert Lepage : Québécois cultural politics and contemporary theatre practice', [thesis], Trinity College (Dublin, Ireland). Department of Drama, 2005, pp 317
dc.identifier.otherTHESIS 7378
dc.identifier.urihttp://hdl.handle.net/2262/85267
dc.description.abstractThis thesis is an analysis of four productions by the quebecois theatre artist Robert Lepage, and of their reception. 1 chose these productions because they broadly cover the span of Lepage's career to date (1980s: Vinci and The Dragon's Trilogy; 1990s: The Seven Streams of the River Ota; early 2000s: Zulu Time) and because they demonstrate the changing contexts in which Lepage's work has been created and received. Early on, Lepage created productions for a known, local audience, which, because they were successful locally, began to tour internationally. Now he is a major international artist making productions that tour to many countries and cultures but continvie to be created in Quebec predominantly by francophone Quebecers.
dc.format1 volume
dc.language.isoen
dc.publisherTrinity College (Dublin, Ireland). Department of Drama
dc.relation.isversionofhttp://stella.catalogue.tcd.ie/iii/encore/record/C__Rb13028249
dc.subjectDrama, Ph.D.
dc.subjectPh.D. Trinity College Dublin
dc.titleThe globalisation of Robert Lepage : Québécois cultural politics and contemporary theatre practice
dc.typethesis
dc.type.supercollectionthesis_dissertations
dc.type.supercollectionrefereed_publications
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (Ph.D.)
dc.rights.ecaccessrightsopenAccess
dc.format.extentpaginationpp 317
dc.description.noteTARA (Trinity’s Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie


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