| dc.contributor.advisor | Dennehy, Donnacha | |
| dc.contributor.author | Béjar, Nélida | |
| dc.date.accessioned | 2017-01-18T10:22:06Z | |
| dc.date.available | 2017-01-18T10:22:06Z | |
| dc.date.issued | 2012 | |
| dc.identifier.citation | Nélida Béjar, 'Toward perpetual peace', [thesis], Trinity College (Dublin, Ireland). Department of Music, 2012, pp 247 | |
| dc.identifier.other | THESIS 9767 | |
| dc.identifier.uri | http://hdl.handle.net/2262/78815 | |
| dc.description.abstract | This is a thesis for the degree of Doctor of Philosophy in music composition. In the opening part (A), 1 comment on my musical background, environment and influences, including a shorter comment on the orchestra piece Kilter as an example for an earlier, non-staged, instrumental piece. The main part (B) consists of the comment and analysis of the music theatre Toward Perpetual Peace (original German title: Zum Ewigen Frieden - Ein Abgesang), a “staged requiem” written and performed in 2010. | |
| dc.format | 1 volume | |
| dc.language.iso | en | |
| dc.publisher | Trinity College (Dublin, Ireland). Department of Music | |
| dc.relation.isversionof | http://stella.catalogue.tcd.ie/iii/encore/record/C__Rb15157761 | |
| dc.subject | Music, Ph.D. | |
| dc.subject | Ph.D. Trinity College Dublin | |
| dc.title | Toward perpetual peace | |
| dc.type | thesis | |
| dc.type.supercollection | thesis_dissertations | |
| dc.type.supercollection | refereed_publications | |
| dc.type.qualificationlevel | Doctoral | |
| dc.type.qualificationname | Doctor of Philosophy (Ph.D.) | |
| dc.rights.ecaccessrights | openAccess | |
| dc.format.extentpagination | pp 247 | |
| dc.description.note | TARA (Trinity’s Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie | |
