dc.contributor.advisor | Bradby, Barbara | |
dc.contributor.author | Whelan, Andrew | |
dc.date.accessioned | 2017-01-03T15:58:05Z | |
dc.date.available | 2017-01-03T15:58:05Z | |
dc.date.issued | 2007 | |
dc.identifier.citation | Andrew Whelan, 'Coprolalia and Shibboleths : musical and textual interaction in the Breakcore room', [thesis], Trinity College (Dublin, Ireland). Department of Sociology, 2007, pp 318 | |
dc.identifier.other | THESIS 8242 | |
dc.identifier.uri | http://hdl.handle.net/2262/78656 | |
dc.description.abstract | This thesis is an ethnographic account of a musically oriented online milieu. It draws primarily on discourse analysis, ethnomethodology, semantic anthropology, and sociolinguistics to critically explore the interaction of ‘amateur’ electronic musicians within this environment. Following a preliminary discussion of the dominant theoretical terms in which the relationship between music and technology is conceptualised (‘rationalisation’ and ‘democratisation’), with specific reference to the agent construed as subject to these forces, the peer-to-peer environment is described. | |
dc.format | 1 volume | |
dc.language.iso | en | |
dc.publisher | Trinity College (Dublin, Ireland). Department of Sociology | |
dc.relation.isversionof | http://stella.catalogue.tcd.ie/iii/encore/record/C__Rb12979552 | |
dc.subject | Sociology, Ph.D. | |
dc.subject | Ph.D. Trinity College Dublin | |
dc.title | Coprolalia and Shibboleths : musical and textual interaction in the Breakcore room | |
dc.type | thesis | |
dc.type.supercollection | thesis_dissertations | |
dc.type.supercollection | refereed_publications | |
dc.type.qualificationlevel | Doctoral | |
dc.type.qualificationname | Doctor of Philosophy (Ph.D.) | |
dc.rights.ecaccessrights | openAccess | |
dc.format.extentpagination | pp 318 | |
dc.description.note | TARA (Trinity’s Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie | |