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dc.contributor.advisorNash, John
dc.contributor.authorBrown, Katie
dc.date.accessioned2016-12-14T10:25:08Z
dc.date.available2016-12-14T10:25:08Z
dc.date.issued2007
dc.identifier.citationKatie Brown, 'James Joyce, music and memory', [thesis], Trinity College (Dublin, Ireland). School of English, 2007, pp 240
dc.identifier.otherTHESIS 8103
dc.identifier.urihttp://hdl.handle.net/2262/78293
dc.description.abstractThis thesis, James Joyce, Music and Memory, explores the connection between music and Irish cultural memory in Joyce’s works from Chamber Music to the “pure music” of Finnegans Wake. Overall, it shows that Joyce’s ongoing desire to emulate musical forms must be seen in light of Joyce’s wish to come to terms with Irish cultural history, as these are the driving forces that bring about his changes in style.
dc.format1 volume
dc.language.isoen
dc.publisherTrinity College (Dublin, Ireland). School of English
dc.relation.isversionofhttp://stella.catalogue.tcd.ie/iii/encore/record/C__Rb12784235
dc.subjectEnglish, Ph.D.
dc.subjectPh.D. Trinity College Dublin
dc.titleJames Joyce, music and memory
dc.typethesis
dc.type.supercollectionthesis_dissertations
dc.type.supercollectionrefereed_publications
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (Ph.D.)
dc.rights.ecaccessrightsopenAccess
dc.format.extentpaginationpp 240
dc.description.noteTARA (Trinity’s Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie


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