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dc.contributor.advisorSingleton, Brian
dc.contributor.authorTan, Marcus Cheng Chye
dc.date.accessioned2016-12-05T16:09:46Z
dc.date.available2016-12-05T16:09:46Z
dc.date.issued2010
dc.identifier.citationMarcus Cheng Chye Tan, 'Acoustic interculturalism : the performativity of sound and hermeneutic of listening in / to intercultural performance', [thesis], Trinity College (Dublin, Ireland). Department of Drama, 2010, pp 283
dc.identifier.otherTHESIS 9082
dc.identifier.urihttp://hdl.handle.net/2262/78227
dc.description.abstractStudies of intercultural performance have been very much concerned with the politics of cultural practice, the authority of cultural traditions, the location of culture(s) in the interstices of exchange, and the theorising of cultural transactions on the stage. Critical studies and performance analyses have focussed largely on the mise en scene, the visual texts, and the visuality of the intercultural disregarding, consequently, the importance of sound and music in generating performance meaning. Little has been done to critically examine the role sound and music play in performance, and the ways in which an aural experience and an awareness of the interchanges in form (musical instruments) and style (performance traditions), can serve to illuminate what is oftentimes regarded as a confusing hybrid of cultures presented on stage. This thesis thus seeks to capitalise on this need for a listening to the sounds of interculturalism and wishes to examine a reception aesthetics employing acoustemological (the study of sound environments) and akoumenological (a phenomenology of listening) frameworks of analysis. As cases in point, the thesis will examine the soundscapes, and the performativity of sound, in various 'models’ of intercultural theatre in particular those by Ariane Mnouchkine, Ong Keng Sen, Lin Zhaohua and Yukio Ningawa.
dc.format1 volume
dc.language.isoen
dc.publisherTrinity College (Dublin, Ireland). Department of Drama
dc.relation.isversionofhttp://stella.catalogue.tcd.ie/iii/encore/record/C__Rb14628620
dc.subjectDrama, Ph.D.
dc.subjectPh.D. Trinity College Dublin
dc.titleAcoustic interculturalism : the performativity of sound and hermeneutic of listening in / to intercultural performance
dc.typethesis
dc.type.supercollectionthesis_dissertations
dc.type.supercollectionrefereed_publications
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctor of Philosophy (Ph.D.)
dc.rights.ecaccessrightsopenAccess
dc.format.extentpaginationpp 283
dc.description.noteTARA (Trinity’s Access to Research Archive) has a robust takedown policy. Please contact us if you have any concerns: rssadmin@tcd.ie


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