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dc.contributor.authorADAMS, MARTINen
dc.date.accessioned2015-12-02T12:25:44Z
dc.date.available2015-12-02T12:25:44Z
dc.date.createdJuly 9 13, 2014en
dc.date.issued2014en
dc.date.submitted2014en
dc.identifier.citationMartin Adams, Poetry for Reading or Singing? Purcell, Dryden, Dramatic Opera and the musicality of the Iambic Pentameter, 16th Biennial International Conference on Baroque Music, Salzburg, July 9 13, 2014, 2014en
dc.identifier.otherYen
dc.identifier.urihttp://hdl.handle.net/2262/75013
dc.descriptionPUBLISHEDen
dc.descriptionPart of the project researching the cultural origins of English Dramatic Operaen
dc.descriptionSalzburgen
dc.language.isoenen
dc.rightsYen
dc.titlePoetry for Reading or Singing? Purcell, Dryden, Dramatic Opera and the musicality of the Iambic Pentameteren
dc.title.alternative16th Biennial International Conference on Baroque Musicen
dc.typeConference Paperen
dc.type.supercollectionscholarly_publicationsen
dc.type.supercollectionrefereed_publicationsen
dc.identifier.peoplefinderurlhttp://people.tcd.ie/madamsen
dc.identifier.rssinternalid97827en
dc.rights.ecaccessrightsopenAccess


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