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dc.contributor.authorSEERY, AIDANen
dc.date.accessioned2014-02-18T16:37:51Z
dc.date.available2014-02-18T16:37:51Z
dc.date.issued2011en
dc.date.submitted2011en
dc.identifier.citationAidan Seery, Hyping the Void: Zizek on Zizek, Autobiography Yearbook British Sociological Association, 5, 2011, 37-46en
dc.identifier.otherYen
dc.identifier.urihttp://hdl.handle.net/2262/68100
dc.descriptionPUBLISHEDen
dc.description.abstractThis chapter examines the celebrity status, particularly in the public sphere but also in the academy, of the academic and intellectual Slavoj Zizek using a number of ideas from his own work to act as a mirror, as it were, on himself. It is structured in three parts. In the first part, I attempt a description of some aspects of the phenomenon of the celebrity intellectual and some of the factors that seem to be at play in the emergence, particularly in the 1990s, of this unlikely celebrity type. The second part uses the structure of Zizek?s critique of ideology as a way of illuminating what might be claimed to be three different types of celebrity. This is followed by some ideas from Zizek?s concept of the self that can be used to understand both the phenomenon of celebrity and possible ways of resisting the power of celebrity culture. In the final section, those aspects of Zizek?s thought considered earlier in the essay are turned on his own celebrity status in order to say something Zizekian about Zizek himself.en
dc.format.extent37-46en
dc.language.isoenen
dc.relation.ispartofseriesAutobiography Yearbook British Sociological Associationen
dc.relation.ispartofseries5en
dc.rightsYen
dc.subjectNarrativeen
dc.subjectBiography studiesen
dc.titleHyping the Void: Zizek on Zizeken
dc.typeJournal Articleen
dc.type.supercollectionscholarly_publicationsen
dc.type.supercollectionrefereed_publicationsen
dc.identifier.peoplefinderurlhttp://people.tcd.ie/seeryaen
dc.identifier.rssinternalid91712en
dc.rights.ecaccessrightsOpenAccess
dc.subject.TCDThemeIdentities in Transformationen


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