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dc.contributor.authorALYN-STACEY, SARAHen
dc.date.accessioned2011-11-03T12:26:03Z
dc.date.available2011-11-03T12:26:03Z
dc.date.issued2006en
dc.date.submitted2006en
dc.identifier.citationSarah Alyn Stacey, Jean-Philippe Beaulieu (ed.), Hélisenne de Crenne : les angoisses douloureuses qui procèdent d amour, Saint-Etienne, Saint-Etienne University Press, 2005, The Modern Language Review, 101, 4, 2006, 1108-1108en
dc.identifier.otherYen
dc.identifier.urihttp://hdl.handle.net/2262/60480
dc.descriptionPUBLISHEDen
dc.description.abstractThe first work of Marguerite Briet, known as Helisenne de Crenne, was the moralizing prose narrative Les Angoisses douloureuses qui procedent d'amour, and it is, with good reason, recognized as one of the most significant texts of the early French Renaissance. Published first in 1538 (Paris: Denis Janot) and frequently re-edited up to 1560, it is a work on which critical attention has, quite rightly, focused over the last few decades as it is highly significant to an understanding of the narrative genre's development.en
dc.format.extent1108-1108en
dc.language.isoenen
dc.relation.ispartofseriesThe Modern Language Reviewen
dc.relation.ispartofseries101en
dc.relation.ispartofseries4en
dc.rightsYen
dc.subjectFrench literatureen
dc.subjectRenaissanceen
dc.title.alternativeJean-Philippe Beaulieu (ed.), Hélisenne de Crenne : les angoisses douloureuses qui procèdent d amour, Saint-Etienne, Saint-Etienne University Press, 2005en
dc.typeReviewen
dc.type.supercollectionscholarly_publicationsen
dc.type.supercollectionrefereed_publicationsen
dc.identifier.peoplefinderurlhttp://people.tcd.ie/salynstaen
dc.identifier.rssinternalid75653en


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