• 

  Romanesque chevron ornament 

  Moss, Rachel (Trinity College (Dublin, Ireland). Department of History of Art and Architecture, 2001)

  Chevron ornament was one of the most common forms of architectural decoration during the twelfth century, in particular in Normandy, England and Ireland, and is found in smaller concentrations throughout Europe during the ...
• 

  Mobile encounters : artists' mobility between Ireland and Britain and the development of performance, video and multimedia practices (1975 - 1999) 

  Fitzgibbon, Jennifer (Trinity College (Dublin, Ireland). Department of History of Art and Architecture, 2014)

  This thesis investigates the encounter between Irish and British time-based artists between 1975 and 1999. Taking artists’ mobility as a primary subject of this investigation, the research considers important policy ...
• 

  Building British identity : British architects and the Tudor-Revival country house in Ulster, 1825-50 

  Campbell, Myles (Trinity College (Dublin, Ireland). Department of History of Art and Architecture, 2014)

  This thesis is an examination of the eight Tudor-Revival country houses designed by the British architects Thomas Rickman, Edward Blore, William Walker and George Sudden in the province of Ulster between 1825 and 1850. It ...
• 

  The Albert Bender donations of Far Eastern Art to the National Museum of Ireland in the context of his cultural interests in Ireland and California 

  Whitty, Audrey (Trinity College (Dublin, Ireland). Department of History of Art and Architecture, 2010)

  The National Museum of Ireland (formerly the Dublin Science and Art Museum) was founded in 1877. During the late nineteenth/early twentieth century policy dictated that the acquisition of applied/industrial arts be nationally ...
• 

  Commerce and the Celtic Revival : the history of the Irish facsimile industry, 1840-1940 

  Kelly, Tara A. (Trinity College (Dublin, Ireland). Department of History of Art and Architecture, 2013)

  Broadly speaking, this thesis has demonstrated that as a category facsimiles of Irish archaeological jewellery and metalwork are not merely derivative works, but have aesthetic and cultural value worthy of a devoted study. ...

View more