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dc.contributor.authorCrowe, Sinead
dc.date.accessioned2007-08-15T10:03:27Z
dc.date.available2007-08-15T10:03:27Z
dc.date.issued2007-06-13
dc.identifier.urihttp://hdl.handle.net/2262/10478
dc.descriptionExhibited at the second Glucksman Memorial Symposium on June 13th 2007en
dc.description.abstractIn the apparently secular late twentieth century, questions of politics, postmodernity, gender or ethnicity seemed to dominate German theatre. But since the turn of the new millennium, observers of the German theatre scene have expressed surprise at a 'return' of religion to the stage. It is the contention of this research project, however, that religion never entirely left the German stage, and that it has in fact been a significant concern for prominent dramatists such as Botho Strau?, Georg Tabori and Werner Fritsch for many years.en
dc.description.sponsorshipIrish Research Council for the Humanities and Social Sciencesen
dc.format.extent311071 bytes
dc.format.mimetypeimage/jpeg
dc.language.isoenen
dc.publisherTrinity College Dublinen
dc.subjectGerman-language theatreen
dc.subjectReligionen
dc.titleReligion in contemporary German-language theatre and dramaen
dc.typePosteren


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