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    <title>DSpace Academic/Research Unit: Germanic Studies</title>
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    <dc:date>2013-05-25T13:22:09Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/2262/40183">
    <title>The Tash her Father Wore: World Literature, Joyce, Kafka and the Invisible in Kemal Kurt's &lt;i&gt;Ja, sagt Molly&lt;/i&gt;</title>
    <link>http://hdl.handle.net/2262/40183</link>
    <description>Title: The Tash her Father Wore: World Literature, Joyce, Kafka and the Invisible in Kemal Kurt's &lt;i&gt;Ja, sagt Molly&lt;/i&gt;
Author: MC GOWAN, MORAY
Editor: Barbara Burns and Joy Charnley
Abstract: This article studies the Turkish-German writer Kemal Kurt’s Ja, sagt Molly (1998) [‘Yes, says Molly’], an ironic meta-fiction to which little critical attention has been paid. Kurt questions the representation of Turks as untutored aspirants to Western culture and challenges the traditional&#xD;
images of exclusion and discrimination. Through a study of his use of pastiche and references to World Literature, in particular to Joyce’s Ulysses (1922), this article demonstrates the importance of Kurt as a commentator on the ambiguous place of Turkey in Europe and of Turkish-Germans in German culture.
Description: PUBLISHED; Amsterdam &amp; New York</description>
    <dc:date>2010-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://hdl.handle.net/2262/23707">
    <title>Father Tongue and Mother Tongue in Elias Canetti's “Die Gerettete Zunge''</title>
    <link>http://hdl.handle.net/2262/23707</link>
    <description>Title: Father Tongue and Mother Tongue in Elias Canetti's “Die Gerettete Zunge''
Author: O'SULLIVAN, HELEN JANE
Description: PUBLISHED</description>
    <dc:date>2006-01-01T00:00:00Z</dc:date>
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